BmoreArt’s Picks: June 7-13 – BmoreArt

Sight Unseen – Footsteps, Voices, Fragments of Time
Saturday, June 11 • 6:30pm
@ SNF Parkway

Sight Unseen and the SNF Parkway are honored to present the closing program of the sequence with two celluloid-primarily based is effective: continue to/in this article (2000/01) by Christopher Harris & BALTIMORE (2021) by Meg Rorison with the filmmakers in man or woman.

nevertheless/here (60m)

The midwest’s great metropolitan areas can be alienating, and [this] city essay articulates disturbed associations involving people today and landscapes through imagery and enhancing. In the hour-long black-and-white film nevertheless/listed here (2000/01), Christopher Harris suffuses the blighted north side of Saint Louis with a highly effective melancholy, lingering on rubble-strewn a lot, decrepit structures, and vacant streets, while footsteps and a frequently ringing cellphone on the soundtrack advise lives interrupted by the devastation. Holes in a motion picture theater marquee are powerfully evocative, but even extra remarkable is the film’s sprawling, almost chaotic sort: its calculated incompleteness definitely matches the issue, and Harris’s prolonged can take imply–not without having a hint of anger–that the ruins of his hometown are everlasting.—Fred Camper, Chicago Reader

BALTIMORE (22m, 16mm to digital, 2021, sound)

BALTIMORE catalogs the landscapes and architecture of the filmmaker’s hometown of Baltimore City. Personal and observational, this 16mm film, shot from 2016 to 2018, explores exterior areas, materials and psychic fragments of historic properties, lots of of which have been demolished or renovated considering that the completion of the film.

Christopher Harris

Christopher Harris’ do the job has proven internationally at festivals, museums and cinematheques from solo shows at MoMA, Locarno, and Arsenal Berlin to group shows at the NYFF, IFFR, and the Whitney, among quite a few many others. Harris’ honors include things like a Creative Funds Award and fellowships from Radcliffe, Chrysalis, and Alpert/MacDowell. Producing about his get the job done has appeared in many guides and periodicals such as Movie Comment, BOMB Journal, and Movie Quarterly. Harris is the F. Wendell Miller Associate Professor of Film and Online video Generation in the Section of Cinematic Arts at the University of Iowa.

Margaret Rorison 

Margaret Rorison is filmmaker and curator from Baltimore, MD. Her latest do the job focuses on portraiture, memory, and ideas of absence. She is fascinated in the opportunity of storytelling as a result of the use of 16mm projection, set up, functionality, and sound.

Her work has been exhibited at several festivals and venues such as Anthology Movie Archives, Ann Arbor Film Competition, Edinburgh Intercontinental Movie Pageant, Images Festival, Miami PULSE Art Good, Mono No Informed VI & VII, Microscope Gallery, The Museum of The Relocating Picture, The National Gallery of Art, and The Walker Artwork Heart.

She received her BA from UMD, Faculty Park in Artistic Producing and Spanish Literature, and a MFA in Photographic & Digital Media from MICA. She is an audiovisual expert at The Nationwide Gallery of Artwork in Washington, D.C. and teaches filmmaking and photography at The Baltimore School for the Arts, Maryland Institute University of Art, and Anne Arundel Local community College. She is also the co-founder and curator of Sight Unseen Screening sequence which has been operating because 2012.

Sight Unseen is supported by a grant from the Andy Warhol Basis for the Visible Arts.



Alice G. Collins

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