Film

DARK AT SEA – A film by Carlos Asse

An experimental dance film – Dark at Sea. A love letter to the rewards and sacrifices of creative life. This beautiful collaboration between award-winning Mexican filmmaker Carlos Asse and cinematographer Paul Theodoroff, “Dark at Sea” was shot in a 35mm film and captures themes of frustration, defeat and the abiding pursuit of success through the movements of dancers Matthew Gibbs.

The project itself emerged from Asse’s desire to break from usual routines and create something more personal and abstract. Dark at Sea provides an unsettling exploration of a man’s struggle with himself as he battles to determine the true meaning of his journey as a dancer.

The initial concept came to life after Asse’s desire to explore a side of filmmaking he had never approached or experimented with in the past. A small idea sparked his interest and he approached cinematographer Paul Theodoroff to lens the film.

“Dark at Sea

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Screenprinting with Screentec Aqua Art Water Based Screen Ink

Aqua Art Inks are recognised as amongst the finest inks for water based screenprinting and are manufactured in the UK by Screentec Print Essentials. Being manufactured from single pigments, the inks deliver intense, saturated colour and perform optimally for colour mixing. We are very excited to have added Screentec Aqua Art Water Based Screen Ink for paper and board to our developing screenprinting department. Here we will explore printing with a combination of high tech and low-tech stencils, and a tabletop printing set up.

 

Screentec Aqua Art Water Based Screen Ink 250 g and 500 g tubs

 

Designed for printing onto paper, cardboard, and fine art papers, with recommended weight over 100 gsm. Heavier papers will be more stable, especially if your print requires the laying down of multiple colours. However, we have successfully printed onto Japanese Kozo, a naturally stable paper of 46 gsm weight. Screentec recommends using 77-120T

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Where to with web3? – QAGOMA Blog

That’s a issue for 2022 QAGOMA Digital Resident Jessie Hughes.

In recent a long time, the COVID-19 pandemic and resulting lockdowns have disrupted how audiences expertise artwork, even though the emergence of digital marketplaces and systems like non-fungible tokens (NFTs) have created new strategies for artists to interact with their viewers.

In response to these promptly shifting ailments, QAGOMA is earning major updates to its electronic presence, together with digitising the whole Collection, rising our electronic capabilities and focusing additional on digital material generation. All this electronic exercise aims to make the Gallery’s overall Assortment accessible pretty much to every person as a result of photography, 3D imaging, timelapse documents of installation and far more.

Thanks to the generous assist from donors to QAGOMA’s Selection On the net Campaign, the Gallery has been capable to engage a variety of digital experts to aid take a look at this fast

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6 Skills Art Teachers Gained This Past Year and 14 Ideas to Try

The pandemic has taken educators on a wild ride due to the fact the spring of the 2019–2020 college 12 months. Distance understanding was tricky on art lecturers and classes who thrive with arms-on, messy get the job done. We instantly had to determine out a world wide web-based mostly way to provide instruction with no satisfactory preparation. Then came the challenge of nurturing interactions and difficulty-fixing components for our students. Some of us even had to cater to a hybrid arrangement.

The reality is coping with the toll of ongoing modifications, adapting to new technology, and grappling with a new standard have been really hard to procedure. You may be wanting to know, “What do I have to present for it?” My guess? Extra than you think!

Though it’s been a little bit of a blur, here is a reminder of how remarkable you are and some suggestions you

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