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Houston Cinema Arts Society and Museum Of African American Culture Celebrate Juneteenth And Black Music Month

Houston Cinema Arts Society and Houston Museum of African American Culture partner on screenings at Moonstruck Drive-In in celebration of both Juneteenth and Black Music Month. Miss Juneteenth will play on Saturday, June 19th at 8:30pm with $30 tickets per car and Summer of Soul will play on Wednesday, June 23rd at 8:30pm with free advanced registration.

On Saturday, June 19th at 8:30pm, HCAS and HMAAC will present A Juneteenth Celebration: Miss Juneteenth and Doretha’s Blues at Moonstruck Drive-In. The program will consist of the Texas-shot film Miss Juneteenth by Channing Godfrey Peoples, previously screened at HCAS’s Beyond Film Program with Sundance Film Festival, and will be preceded by the Houston premiere of the director’s new short film, Doretha’s Blues. Doors open at 7:00pm, and at 7:30pm audience members will get to listen to a custom Juneteenth Mixtape by DJ Red of Screwed Up Records and Tapes celebrating the legacy

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20 Pieces of Black Hair Art 2021 | The Strategist

Photo: Jordan Moss

While Black hair is art, Black hair has also inspired all sorts of other works of art, from barbershop paintings to giant barrette sculptures to gorgeous coffee-table books. To uncover the best of the best out there, we reached out to the coolest artists, curators, and store owners we know to learn about some of their favorite pieces of Black hair art. Ahead, 20 prints, books, objects, and museum experiences all about Black hair.

Shani Crowe’s work was mentioned by several cool people we talked to. Crowe is a skilled braider and artist who often blends the two in her photography. This particular print, which features three women connected by a single braid, comes recommended by Kiyannah Stewart

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Garrett Bradley Reminds Us That Black Joy Always Existed

Garrett Bradley’s quicksilver, imperious video installation “America,” at the Museum of Modern Art is an indictment wrapped in a celebration. Completed in 2019, it reimagines some of the signal events of Black life and culture in the United States during the early decades of the 20th century — reclaiming lost or overlooked pieces of history in a display of inexhaustible narrative and spatial complexity.

This is Bradley’s first solo exhibition in a New York museum, her first foray off the single screen into three-dimensional space and the second in a series of collaborative exhibitions mounted by MoMA and the Studio Museum in Harlem. Basically, the larger, older institution provides the space; the smaller, younger one, the expertise. It was organized by Thelma Golden, the Studio Museum’s director and chief curator, and Legacy Russell, its associate curator.

Like other Black artists of her generation — among them the painter Amy Sherald

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Elgin art exhibit celebrates Black culture in America

When Elgin artist Freddrick D. Wimms was asked just after Christmas to curate an art exhibit for Black History Month, he didn’t have much time and didn’t know what he wanted the show to be. But he did have an idea for a name.

“Black Then, Black Now, Black in the Middle …”

“When I set the name, I had no idea what the show was gonna be,” Wimms said. “I knew it couldn’t be based just on Black history. It had to be about the essence of Black culture, and then that will reflect on Black art and that will reflect Black history.”

Wimms ended up with the idea to tell the story of how Black culture in America was born out of the darkness of slavery, how far it had come up to and since the Civil Rights movement, and how far it can still go.

“This all

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